Sonnetinas
Sonnet Settings by Leonard Lehrman
listed by opus number

12. Sonnetina #1 for (Mezzo)-Soprano and Piano
(sonnet by Marilyn Siegel (Smith)) (4'00")

14. Sonnetina #2 for Bass, Piano and Page-Turner
(setting of sonnet by Percy Bysshe Shelley: "Lift Not the Painted Veil") (5'00")

23. 5) How Do I Love You? (from White-Haired Lover)(Karl Shapiro) (= Sonnetina #3) (4'00")

32. 1) Sonnetina #4 On Political Greatness (on a sonnet by Percy Bysshe Shelley)
for Mezzo-Soprano (or, transcribed, for Soprano) or Tenor and Piano (4'00:)

45. Sonnetina #5 (Shakespeare#18: "Shall I Compare Thee To a Summer's Day?")(3'30")

65. Sonnetina #6 (e.e. cummings: "Next to of course god") for Voice & Guitar/Piano (5'00")

66. Sonnetina #7 (Christina Rossetti: "Remember Me When I Am Gone Away")(2'17") 4/82
for Soprano Solo or (op. 66A) Soprano-Tenor Duet
with Piano or Flute & Guitar (+ Cello obbligato) [or for Bass & Piano]

73. Licht im Dunkel (A Light in the Darkness)
wds: Andy Orieli (pseud.for Harry Oschitzki) 1984
song cycle for Tenor or Soprano & Piano/Orch. (in German, or English
translation by composer)
2) Ne plus ultra (Sonnetina #8) (3'45)

123. Sonnetina #9: Bill Kunstler on Corliss Lamont (3'00") voice & piano

142. The Golem [Sonnetina #10] (text: Sonnetina by Alex Skovron) for voice & piano (3'00")

149. An Australian Odyssey
1) Love Sonnet #9 [Sonnetina #11] (Edith Speers) (1'15")
2) I Remember [Sonnetina #12] (Jacob Rosenberg) (2'00")
6) Credo [Sonnetina #13] (Alex Skovron) (1'30")

157. Sonnet to Anne [Sonnetina #14] (text: Abel Meeropol) (3'00")

181A. Sonnetina #15 (setting of Shakespeare's Sonnet #29:
"When in disgrace with fortune and men's eyes") for soprano & piano (2'35")